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Women who have won the Pulitzer Prize for Music: (pictured from left to right)
1983 Ellen T. Zwilich for Three Movements for Orchestra 
1991 Shulamit Ran for Symphony
1999 Melinda Wagner for Concerto for Flute, Strings, and Percussion
2010 Jenifer Higdon for Violin Concerto
2013 Caroline Shaw for Partita for 8 Voices
2015 Julia Wolfe for Anthracite Fields
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MLA Women in Music Blog Feature: Anne LeBaron

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Tune into composer, avant-garde harpist, professor, and writer Anne LeBaron's YouTube channel or SoundCloud channel and experience her music while learning about her. Anne LeBaron: biography [text by Anne LeBaron; photos provided by Anne LeBaron] A West Coast experimentalist who is an innovative performer on the harp as well as a composer embracing unusual challenges, Anne LeBaron’s compositions have been performed around the globe. Venues in Italy, Mexico, Sydney, Vienna, Sweden, Kazakhstan, New York, Los Angeles, and elsewhere have programmed her works for chamber groups, opera, cantatas, and presented her as a performer. Her operas celebrate legendary figures such as Pope Joan, Eurydice, Marie Laveau, the American Housewife, and Aldous Huxley. Her current opera-in-progress, Huxley’s Last Trip , (formerly LSD: The Opera) was awarded one of the first Discovery Grants from Opera America. The orchestra includes instruments built by American compos
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Mu Phi Epsilon

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In 1903, Dr. Winthrop Sterling, Dean of the Metropolitan College of Music, Elocution and Dramatic Art in Cincinnati, Ohio, had a dream that women music students should have an organization that would bring them together, providing a sense of well-being and guidance. He enlisted the help of his 19-year-old assistant and fellow faculty member, Elizabeth Mathias (later Elizabeth Mathias Fuqua) to establish such an organization. Image courtesy of the Mu Phi Epsilon 1904 Year-Book   Mu Phi Epsilon was to be chartered as a National Music Sorority, the first of its kind in the United States, working for a stronger foothold in the musical world where there could be equal opportunities for both sexes. Thus, the Mu Phi Epsilon Alpha Chapter held its first meeting with thirteen young women on that fateful November 13, 1903 (yes, it was a Friday!). The establishment of the Beta Chapter at the New England Conservatory in Boston soon followed, November 30, 1903.   Imag
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Dr. Deon Nielsen Price: concert pianist, composer, music professor, mother of five

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Born in Salt Lake City, Utah in 1934, Deon Nielsen was living at Fort Clayton in the Panama Canal Zone around 1946, when her father was stationed there. She was already a pianist and, at age 12, had her first paying job as a ballet school accompanist. She and her family regularly attended concerts at the National Theater. At one, she heard pianist Arthur Rubinstein , and at another, pianist Gyorgy Sandor . "I even slipped backstage during intermission for their autographs," she remembers. Those great pianists inspired her to become a concert pianist herself. Nearly 60 years later, in June 2005 , Deon returned to Panama with her son, Dr. Berkeley Price, a clarinetist--this time to give a concert. "Returning to the site of my early ambition now completes a circle," she told the audience. Ironically, Gyorgy Sandor died later that year. Deon attended high school in San Francisco, and took lessons from C.W. Reid at the San Francisco Academy of Music. She accompa
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"I am NOT a Woman Composer!" The Life and Music of Louise Talma (1906-1996)

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I am writing a biography about composer, pianist, and pedagogue Louise Talma. The working title of this biography is “I am NOT a Woman Composer!” The Life and Music of Louise Talma (1906-1996) . I have an advance contract with the University of Illinois Press. Three more chapters, three more years (yes, my 12-month, full-time job takes lots of time). But now that I am about halfway through the book, the momentum is helping. Right now, I am writing Chapter IV which is built around the correspondence between Talma and Pulitzer Prize winner Thornton Wilder. Together they wrote a three-act grand opera, The Alcestiad . It was premiered in Germany in 1962 to twenty minutes of audience cheers, but has never been performed since or in the original language. Talma declared it "too expensive." I am writing this book because when I ask people how many twentieth century female composers they can name, I hear crickets. Talma is part of the fabric of twentieth century art musi
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